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This book was written and illustrated by Charles R. Knight (1874–1953), the acknowledged master of animal drawing and the man who American Biographies agrees "was generally recognized as the most distinguished painter of animal life." Those who have seen his murals, paintings, and bronzes of both prehistoric and modern animals in the New York Museum of Natural History or any one of a dozen other major zoological museums know why his work is so highly regarded. His animal portrayals are startlingly alive with beauty, virility, charm, power, and expression. He seems to have caught animals in the very act of feeding, stalking, resting, or in any one of the thousands of completely natural attitudes that animals assume.
In this book, which is an extensive course in animal drawing, Knight offers an almost incredible wealth of practical instruction to commercial and fine artists, painters, sculptors, book illustrators, designers, decorators, and art students. He discusses animal musculature, bone structure, animal psychology, movements, habits, and habitats. He provides innumerable tips on animal proportions, the play of light and shadow, coloring, hair formation, feather arrangements of birds, scales of fish, how animals lie down, animal expressions, how a lioness bends back her ears when angry, and many others. Scores of animal categories are covered: great apes, tigers, lions, dogs, bears, cattle, horses, antelopes, sheep, goats, camels, swine, seals, rodents, young animals, exotic animals, crocodiles, snakes, fish, and birds.
This work should help both practicing artists and art students achieve more natural and lifelike drawings. Especially valuable will be the many pointers on how to avoid stiffness and gracelessness in drawings of horses, deer, and other quick-footed animals; how to introduce the proper sense of bulk and power in sketches of such heavier animals as elephants and bears; and how to put into drawings of the cat family, from the household pet to the African lion, the superb lithe grace and wealth of subtle expression that we marvel at in the originals.
- Sales Rank: #580705 in Books
- Published on: 1959-06-01
- Released on: 1959-06-01
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x .34" w x 8.41" l, .79 pounds
- Binding: Paperback
- 120 pages
From the Back Cover
This book was written and illustrated by Charles R. Knight (1874–1953), the acknowledged master of animal drawing and the man who American Biographies agrees "was generally recognized as the most distinguished painter of animal life." Those who have seen his murals, paintings, and bronzes of both prehistoric and modern animals in the New York Museum of Natural History or any one of a dozen other major zoological museums know why his work is so highly regarded. His animal portrayals are startlingly alive with beauty, virility, charm, power, and expression. He seems to have caught animals in the very act of feeding, stalking, resting, or in any one of the thousands of completely natural attitudes that animals assume.
In this book, which is an extensive course in animal drawing, Knight offers an almost incredible wealth of practical instruction to commercial and fine artists, painters, sculptors, book illustrators, designers, decorators, and art students. He discusses animal musculature, bone structure, animal psychology, movements, habits, and habitats. He provides innumerable tips on animal proportions, the play of light and shadow, coloring, hair formation, feather arrangements of birds, scales of fish, how animals lie down, animal expressions, how a lioness bends back her ears when angry, and many others. Scores of animal categories are covered: great apes, tigers, lions, dogs, bears, cattle, horses, antelopes, sheep, goats, camels, swine, seals, rodents, young animals, exotic animals, crocodiles, snakes, fish, and birds.
This work should help both practicing artists and art students achieve more natural and lifelike drawings. Especially valuable will be the many pointers on how to avoid stiffness and gracelessness in drawings of horses, deer, and other quick-footed animals; how to introduce the proper sense of bulk and power in sketches of such heavier animals as elephants and bears; and how to put into drawings of the cat family, from the household pet to the African lion, the superb lithe grace and wealth of subtle expression that we marvel at in the originals.
Complete, unabridged reprinting of Charles R. Knight's Animal Anatomy and Psychology for the Artist and Layman..
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By ray colling
Arrived on time and was exactly what I expected
17 of 18 people found the following review helpful.
I've worn out three copies of this classic!
By Robert A. Sloan
Animal Drawing, Anatomy and Action for Artists is not a modern art instruction book with step by step demonstrations. Instead, it's a collection of splendid original drawings by master nature painter Charles R. Knight with tight, well-written short essays on drawing the creatures and using their skeletal and muscular anatomy to give them lifelike, accurate proportions.
If I need to draw any animal, bird or reptile, I consult this book first. It's concentrated, very concise, lots of information packed into every drawing and every short essay. Birds, reptiles and amphibians are touched on. Representative examples of every general type of animal are included, although every time I go through it I find myself wishing he'd done about three or four volumes and gone into more different species.
Charles R. Knight is the muralist responsible for many of the gorgeous dinosaur and prehistoric life paintings in natural history museums across the country. I first found his paintings at Chicago's Field Museum, but there are more in the Smithsonian and in Toronto and many other museums. His work is brilliant and gorgeous. Some of it has been rendered obsolete by modern dinosaur discoveries, but his mammals extinct and otherwise are still accurate and lifelike.
I have been studying this book since my twenties and still not run out of times I need to go back and reference it for cat joints, birds' wings or cow proportions. A must-have for anyone who likes drawing and painting animals, a fun read for anyone who enjoys natural history. When my copy gets battered and starts losing pages, I replace it and pass the ratty one on to a student. I've done this three times and my fourth copy is starting to show wear.
1 of 1 people found the following review helpful.
Wish I saved my money for a better more current book. And I bought for $5.85!
By snowlaiden
Waste of money, I don't think this book will be helpful to me at all. It was written in 1940 and has a lot of text and very little pictures in comparison. The artists pictures are nice but are his interpretation of animals artistically. The author is obviously talented but I was hoping more for a book with more animals and expressions so that when painting or sculpting I could find the right posture or expression. This is not the book for that for me. Big disappointment, wish I would have seen the print date and looked better into the details of this book rather than just reading reviews.
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