Ebook Sanctuary, by William Faulkner
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Sanctuary, by William Faulkner
Ebook Sanctuary, by William Faulkner
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Original copyright 1931. Copyright renewed 1958.
- Sales Rank: #987655 in Books
- Published on: 1956
- Number of items: 1
- Binding: Hardcover
- 250 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Similar lawyers - Horace and Attacus
By Joan W. Passons
I had read this book several years ago and, of course, enjoyed Faulkner. The similarity of Horace and Atticus was not apparent to me at that time. Seldom do I read books the second time but Faulkner's works are an exception.
5 of 5 people found the following review helpful.
Tough read but worth it.
By Richard C. Hastings
I read this book because I had never read any Faulkner before. I guess I thought I was missing something in my library or maybe it was time to lay off the nonfiction I mostly read.
I found Faulkner's style and word choices difficult at first. He assumes the reader is not lazy and will keep up with him and his stream of consciousness approach. I must admit I read half the book, became disinterested and put it down for several weeks. I then made up my mind to give it a second chance and really enjoyed it.
The story is dark and slightly twisted. There are very few admirable characters but I found myself sympathizing with most of the characters. Everyone except maybe Temple Drake has reasons for their misdeeds. I felt Faulkner was trying to convey the injustice of the time and just plain bad luck as reasons for the poor behavior or lack of optimism of the characters.
I highly recommend this book. It is gripping and real. The story got to me.
23 of 27 people found the following review helpful.
It does not Synerge: on Being Cheated Out of a Good Story
By customer
In "Wild Palms" it was a manifest literary technique, but in "Sanctuary" it's a desperate attempt to weave together a story from different plotlines. I am a Faulkner buff, and have always felt tricked by this one: everything that goes on at "the house" prior to the "event" (I'm trying not to give too much away) is some of the master's best. It is a world apart, relating not to "the south", as some wrote, nor to any other referent world; its inherent danger and unexpectedness and possibilities depend on that. Alas, the story then focuses on the character that it ultimately chose for its true protagonist, a well-intentioned yet incompetent lawyer (you'll recognize him from other works -- F really overplayed this character), and an uninteresting one at that. As soon as the narrative moves into the cities it looses its force, revived at times only by such comic giveaways as the provincial youngsters who frequent a brothel in Memphis, never realizing that they reside in another. I can almost imagine Faulkner cutting & pasting that from some draft, soberly thinking, "I got to liven this up a bit". And it goes from bad to worse. All that befalls Popeye after his last encounter with Red seems artificial; it recalls Hollywood's standards for treating villains, owing more to comodification of morality than to narrative integrity. Do we learn something about Popeye that makes him a more interesting character than in the first part? Hardly. Yet with all of that, the writing itself was rarely surpassed in American prose. Faulkner has that uncanny ability to get us involved in his nontransparent language all the while keeping it away from the fore, first and foremost using it to tell his story (as opposed to Joyce or Dickens). For that alone this book is a joy; but on the narrative scale one feels, ultimately, cheated out of a good story.
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